A letter answered

From a mentor I've never met

In a previous post I detailed the events preceding a certain postcard I received from a famous drummer back in 1984. Searching through a bunch of boxes I finally found the early 1984 ink and paper rough draft of that letter pictured below. Since it’s hard to read I have re-typed the text further on down (Warning: I was obsessed with commas back then for some reason). I am always fascinated when I find writings from my youth and subsequently reminded of the words I used back then, thoughts I expressed, and frankly whether I communicated sensibly at all. I like to think my writing has matured a bit since those days. The letter reminded me of how much I miss the creativity of handwriting which unfortunately is far too laborious and impracticable for the speed and accuracy demanded by today’s Iphone obsessed society.

As you’ll discover below, it appears the late Neil Peart of the now retired rock band Rush did read my letter and responded very thoughtfully. Granted I am posting this for my own record but also as an example to those of you pursuing a certain dream or goal. Don’t let anyone or anything deter you, even amidst the likelihood of mistakes. Be your authentic self and if it was meant to be you will be rewarded as I was. As for me, I veered (or was pulled) away from rock and roll drumming and straight into orchestral music ministry. But that’s another story altogether.

Here goes:

Dear Neil,

How are you? Busy, I’m sure. I’ll try to make this short but I do hope you find time to read it. I’m an admiring drummer out in Connecticut and frankly I’m astounded at your style of drumming. I’ve been listening to RUSH since it’s origin and haven’t been disappointed yet. It’s truly amazing what you’re able to create on the drum kit. To observe, listen, and learn with you has always been an enjoyable experience.

The last time I saw RUSH live was in Hartford where I was fortunate enough to have spectacular view on the side of the stage. It was your latest SIGNALS tour, from which I learned a great deal. I am very much looking forward to this years show. A live musical performance of any kind is always inspirational for me. By the way Neil, studying your present drum set up. I can find no means of egress with the exception of taking a giant leap forward. How do you escape?

I have read many of your articles in Modern Drummer and have found them quite informative. In your April interview, which by the way I enjoyed very much, I thoroughly agree with you on the fact that established musicians are placed on a pedestal. The term “superstar” is a compliment in some respects but can become a handicap and dissolve the private life of many professional musicians. Quite possibly some future generation will succeed in conquering this problem.

At any rate, when I first heard your china-type cymbal in THE SPIRIT OF RADIO, I was intrigued at this unique new sound and wondered of it’s origin. When Zildjian first introduced several models, I was quick to purchase one and today I still can’t get over the tremendous sound it produces. It has almost become a standard cymbal for most drummers today. Zildjian has always been the cymbal for me. Even the high pitched offerings of Paiste cymbals cannot perform the was Zildjian cymbals do.

Presently I am conducting myself efficiently by learning, playing, and recording here and there. I am trying to construct a successful career in music because honestly, I can’t tell you in words how pleased it makes me when I see other people enjoying themselves because of what I’m playing. Drumming to me is the ultimate form of expression, and with music comprises many facets of life.

I was thinking about something the other day and thought I would mention it to you. Are you at all familiar with the Creative Music shop in Wethersfield, Ct.? They’re an established music shop and have had many successful drum clinics with musicians such as Bill Bruford (YES), Steve Smith (JOURNEY), and Danny Gottlieb (PAT METHENY) to name a few. I asked Bob Gatzen, the general manager if he might invite you to appear at the clinic. He was doubtful only because he is aware of your busy schedule. If and when you do play in Hartford, please consider the possibility of arranging a brief appearance. There are many musicians on Connecticut who would enjoy it because drum clinics behold a true learning experience and inspiration for everyone.

Well Neil, I hope I’ve made a new friend and that you’ve enjoyed this letter, If you can find the time to write me a short letter or even a few lines on a postcard, I would really enjoy hearing from you. Thank you for your time.

Yours Truly,

Jim Richardson

And then a few months later he did, very directly and personally…….

Here is a photo of Neil I snapped at the Hartford concert on 01-04-1983:

More details here: